'SCTV,' 'Home Alone' actress Catherine O'Hara dies at 71

Catherine O’Hara, a gifted Canadian-born comic actor and “SCTV” alum who starred as Macaulay Culkin’s harried mother in two “Home Alone” movies and won an Emmy as the dramatically ditzy wealthy matriarch Moira Rose in “Schitt’s Creek,” died Friday. She was 71.

O’Hara died at her home in Los Angeles “following a brief illness,” according to a statement from her representatives at Creative Artists Agency. 

O’Hara’s career was launched with the Second City comedy group in Toronto in the 1970s. It was there that she first worked with Eugene Levy, who would become a lifelong collaborator — and her “Schitt’s Creek” costar. The two would be among the original cast of the sketch show “SCTV,” short for “Second City Television.” The series, which began on Canadian TV in the 1970s and aired on NBC in the U.S., spawned a legendary group of esoteric comedians that O’Hara would work with often, including Martin Short, John Candy, Andrea Martin, Rick Moranis and Joe Flaherty.

O’Hara would win her first Emmy for her writing on the show.

Her second, for best actress in a comedy series, came four decades later, for “Schitt’s Creek,” a career-capping triumph and the perfect personification of her comic talents. The small CBC series created by Levy and his son, Dan, about a wealthy family forced to live in a tiny town would dominate the Emmys in its sixth and final season. It brought O’Hara, always a beloved figure, a new generation of fans and put her at the center of cultural attention.

At first, Hollywood didn’t entirely know what to do with O’Hara and her scattershot style. She played oddball supporting characters in Martin Scorsese’s 1985 “After Hours” and Tim Burton’s 1988 “Beetlejuice” — a role she would reprise in the 2024 sequel.

She played it mostly straight as a horrified mother who accidentally abandoned her child in the two “Home Alone” movies. The films were among the biggest box office earners of the early 1990s and their Christmas setting made them TV perennials. They allowed her moments of unironic warmth that she didn’t get often.

Roles in big Hollywood films didn’t follow “Home Alone,” but O’Hara would find her groove with the crew of improv pros brought together by Christopher Guest for a series of mockumentaries that began with 1996’s “Waiting for Guffman” and continued with 2000’s “Best in Show,” 2003’s “A Mighty Wind” and 2006’s “For Your Consideration.”

Born and raised in Toronto, O’Hara was the sixth of seven children in a Catholic family of Irish descent. She graduated from Burnhamthorpe Collegiate Institute, an alternative high school. She joined Second City in her early 20s, as an understudy to Gilda Radner before Radner left for “Saturday Night Live.” (O’Hara would briefly be hired for “SNL” but quit before appearing on air.)

Nearly 50 years later, her final roles would be as Seth Rogen’s reluctant executive mentor and freelance fixer on “The Studio” and a dramatic turn as therapist to Pedro Pascal and other dystopia survivors on HBO’s “The Last of Us.” Both earned her Emmy nominations. She would get 10 in her career.



(AP Photos Chris Pizello; E Pablo Kosmicki)